I had Katy and Chad take new pics of my primary tattoo last week, since I was sending them off to someone who's working academically on fat body image. As long as I've got some newer shots (I think the last I posted were ages ago, from the day after the session when everything was still red and tender), I thought I'd share them here.

My previous bodyart posts, for reference/explanation/image sources

On the pics behind the cut: There's a bit of side-boob and some incidental butt-crack in the pics, but they're not explicit. On the other hand, the images in the tattoo are explicit nudes, so make your own call about worksafeness.

Only the two main images are easily searchable, and I've made most of my flickr account private, but all images are from various sculptures of the female form throughout time and across cultures. Here's info about the central arm image and the central back image:

Arm: Dancing Venus of Galgenberg
Back: Venus of Laussel
Read more... )
Finally feeling a lot better, which is a relief. Slept most of Wednesday, then had an excellent evening with NL. Thursday I had a lovely date with Erin, amidst the chaos of kitchen demolition. Grafton and Caleb have been working on painting and installing the cabinets we inherited from Ferret and Gini. They'll replace a nasty old metal sink cabinet that'd already been scavenged from our curb by this morning (probably for the recycling value of the metal). Also, Caleb just heard back on an interview, and has found a job! Right now it's part-time and temp, but there's hope it could expand from there.

I no longer have a carpool in to work on Fridays, so I made a stop by the West Side Market on my way in. I now have roasted asparagus with lemon zest and hazelnuts, and some very tasty pulled pork, as well as lemon bars from Farkas. I've joined Audible.com to try it out, and I used to train ride to start listening to On Intelligence which I'm enjoying so far.

Got to work and straight into a meeting. Apparently after a decade of "any day now" they've finally really decided to move us from this building. I'm not sure exactly how soon, and it'll be somewhat more inconvenient for me by RTA, but not end of the world (Lyndhurst). Also, there's been a change in supervisor for second shift, and they've put my friend Mark into the position. This is all for the good; he knows how to get shit done, but doesn't get hung up on formalities.

Also, I made a surprising discovery yesterday; I'm a big fan of Buck Angel's work (he's a trans porn star and activist, but the link is to his Wikipedia entry for worksafeness), and have been for quite a while. We went by Body Language (NSFW) yesterday on a whim of mine, and I ended up picking up two of his earlier DVDs. In watching through them (reviews to come on the sex filter), I was so awed by the bodyart of one of his partners that it was seriously distracting me. Well, no fucking wonder! That was his wife; he's apparently married to Elayne Angel. Holy shit, piercing GOD! I remember being part of rec.arts.bodyart back in the early nineties, and if you wanted the final word on excellence and creativity in piercing, it was her shop in NOLA. She'd even crossed my mind when I initially saw the angel wing tat in the vid, but since plenty of other folks have played with variations on that, and I didn't see the bottom portion that would've been totally distinctive, I didn't completely cue in. Anyway, it was a weird intersection of two different realms of my interests, although an entirely happy one!
Two posts from 2003 about getting my various body piercings
text-only )
And then I'll go to bed. Really. I mean it this time.

A friend asked me about my thing for bears (after I mentioned ursa74 being a straightforward bear reference):

It's multifold; a real fondness for the actual animals, a sense that if I were religious in a way that an animal totem would be appropriate, it would most definitely be mine. I identify with bears' energy level, and their playfulness, their strength, their love of water, their usual mellowness, and their fierceness under relatively limited and generally appropriate circumstances... I admire octopodes, and am fascinated by them (another association I'm known for). I identify with bears.

...and also a really strong fondness/wistful identification with the queer bear community.

I'm hugely attracted to bears, in the queer community sense, and if there's a heaven, there's a bi bear leatherdaddy waiting for me. Even aside from my lecherous side, I find the bear community to be one of the subsets of GLBT culture that feels most socially comfortable to me, and most like "family". It's a great overlap of queer community and body-positive community (although the dyke community is often great for that, too, and butch women make me weak in the knees -- I'm still not entirely over the fear of bi-induced rejection in that community, though). It's a community that manages to tease apart masculinity and homophobia from the tangled knot our culture's created out of them. And I basically identify as a female bear in that sense of the word. I know I'm not the only queergirl who does, although it's not all that common in my experience.

And the other thing floating through my mind, in the context of creating the exhibitionism filter. My tattoo is an oddly exhibitionist piece in its own right. With Baubo mythology being a central element of my research, that's practically unavoidable. I hadn't really thought too much about it in the context of my own exhibitionism, though. Something to ponder and get thinky about. In day to day life, I often flat-out forget that I'm kind of covered with naked ladies with graphic genitalia. But when I do remember, it certainly amuses me, and it hits something else for me, too. A chance to push the world's boundaries, maybe. The tattoo's somewhat different from impinging my own sexuality into other people's realities, but it's also a constant instigation of conversations about those sorts of things in a more general sense, and I very much like that about it.
So Forestfire and family came through last night, and after a bit of a search for an open restaurant, we ended up at My Friends. Wow, haven't been there in years. After, we ended up at a friend's house to watch the fireworks from her front yard, which turned out to be perfect -- the kids got to burn off some energy, and we had a great view. Also, she has a parrot. I love parrots. I spent half my evening in front of the cage, playing with him.

The headache finally seems to have given up the ghost early this morning, so I'm a much happier camper. Watching The Five Doctors episode of Doctor Who, considering working some more on the tattoo project. I still haven't gotten accustomed to how much faster the research is going on this than it did for the first piece. Google Imagesearch is a hell of a lot faster than Interlibrary Loan. I've got enough images noted that it's getting time to pull them all together, print them out, and start looking at how they fit together, and eliminating options. There are eight figures on my left side at the moment, and I expect we'll add probably another eight or so. That was pared down from at least a hundred or so I originally pulled from research. I've got about that many male figures now, and it's time to start sorting out where the boundaries are -- how detailed is too detailed, what themes and variety are represented, how much clothing is too much, etc, as well as variety of poses and positions. Time for a spreadsheet. Oh yes.

Oh, yay! Mark is making me flan today.
Read more... )
So, thinking a lot about the complementary tattoo on my other side. Last one took two years of research before we started tattooing. Although the internet's made everything faster to search since then (oh, I wish I'd had image search back then!), I still want a good head start to let ideas percolate, and for the images I connect with best to emerge.

I was brainstorming with Becca about some images to research, and we came up with the following list (this was mostly me thinking about where to find images of large men, something it's really important to me to include). The limitations: I'm trying to cover the widest array of cultures and time periods possible. The image must be able to be represented as a sculpture. Nude or mostly-nude. Entirely human, no anthropomorphized animal imagery, wings, claws, hooves, horns, etc. Representing a wide array of different body types and shapes. Pieces that fit the overall water-colorish, sketchy kind of style we're using (too much detail, or too perfectly representational, and it doesn't work for this piece). Here are the notes from our brainstorming of ideas to research:

> Sumo wrestlers
> Japanese Luck God Ho-Tei (sometimes called laughing buddha)
> Oni (Japanese) (so far doesn't look like this one will work -- face doesn't fit tattoo)
> Frank Lloyd Wright pedastal topper
> bear gods
> Polynesian statues?
> Babylonians
> Assyrian
> extrapolate painting to sculpture (bacchus)

The first two pieces that grabbed my attention on a quick search:
http://www.flickr.com/photos/grandadbill/2481623099/
http://www.flickr.com/photos/catchesthelight/1321885834/
(both are worksafe sculptures of sumo wrestlers)

And _that_ is why my brothers are going to be so amused; they both follow Sumo closely, and have for years.

If you happen to have brainstorming ideas to add to the mix, please do. Even if it's not quite what I'm looking for, it may give me new search ideas and avenues.

I'm also interested in finding transgender images, so if you've got ideas for those, toss them in too...


list of links for my own reference; will continue to grow )
On finding a tattoo artist, my personal opinions:

It's really worth looking around for a good artist that you can work well with... It matters a lot that I trust Chris's artistic sense, and understanding of what I'm going for. Look for artists that do exclusively custom work, generally, and whose shops aren't covered in flash. Most artists purchase flash, they don't draw their own, so flash generally tells you nothing at all about their level of skill. Look at their individual portfolios, both for their artistic sense, and their execution (lines that are smooth where they should be smooth, colors that are even where they should be, lack of raised scarring in a healed tattoo from working an area too hard). Although there are great new artists out there, finding someone who's been working for a long time will generally be to your advantage -- the more experience, the faster and gentler they tend to work, and the easier time they have dealing with all the little quirks of tattooing on individual bodies.

I'd also say it's a good idea to consider carefully that various artists specialize in different styles -- the right artist for one piece may not be the right artist for another. Ask them about their specialities and preferred styles. Look at how they use color, whether they they tend toward a specific style, etc. Consider whether it's a style that's compatible with your planned piece. Tattooing books and magazines can be handy for getting a basic concept of this; there are often mentions of award winners in various styles that can give you some of the lingua franca of the tattoo world (black and grey, traditional, etc).

Also, when you're coming up with your image, it can be handy to also accumulate resources that are in the artistic style you want, even if it's a totally different piece. Then you can come in and say "I'd like this piece done in the same style as this other piece I found here".

And, of course, make sure they are properly licensed, have autoclave testing notices posted, etc.
So as I mentioned here, I'm really engrossed in thinking about more long-term tattoo plans, since we're probably only 2-4 sessions from being done with this one...

Since my late teens, early twenties, I've been planning close to full-body coverage -- I used to joke that my main goal was to not run out of available skin before I ran out of breath, because I'd always want room to add more... It's one of the things I like about being big and fat, actually -- gives me a lot of surface area to work with, even if it is in complex and roll-y shapes that are an interesting challenge to work with.

Two large-scale pieces I've seriously considered that I think I'm not ever going to do, given that I'm going for a cohesive overall body pattern (although I may incorporate pieces of the ideas into other smaller more peripheral pieces): a giant red pacific octopus over my right breast, shoulder, arm and back, and one from years and years ago, a tree on my right hip, with a little girl reading, and images from my favorite children's stories floating out of the book and into the environment around the girl. It's entirely possible I'll still get an octopus tattooed somewhere on me, and also that I'll get some arrangement of my favorite children's book characters, maybe in a band around my right ankle, but they won't be the large-scale pieces I'd originally intended. I'm really drawn to the idea of the complementary piece on my right side, and a spinal piece about biology, sex, sexuality, and gender (mental note: consider some of Grafton's Botanica Sexualis images, and see if he could be commissioned to do one on the female sexual/reproductive system). I need to give a lot of thought and brainstorming and image-hunting to these projects; need to figure out what concepts and images are most relevant to me, and will work with the overall themes. And I need to think through what sorts of male/intersexed and sexuality images I want to work with -- what are the boundaries of the concept? I had to do that with the female piece already -- sorting through that I wasn't going to include figures that were part-animal, part-female (despite there being plenty that were really cool and fascinating), deciding that I wasn't going to include any figures wearing clothing, etc. I need to do that same process on the other side, and start researching images. It's going to be maybe even more complicated, since questions about what images to use are often going to revolve around hard cocks, frankly. How do I work with these images without never being able to go sleeveless in public? My left side is already barely worksafe, and that only because female nudes are conceptualized as art more easily in our culture, and because female arousal isn't clearly conveyed in sculpture the way male arousal is (although I've tended toward images with explicit vulva imagery, and often possibly masturbatory references). I might be able to put the less graphic images (especially men who aren't hard) on my arm/shoulder -- I've kind of done that on my left side with the female figures). What kinds of images of male bodies do I want? So far, I'm having trouble finding the body-shape variety I'm hoping for, although I've just barely begun scanning through a few searches. Also, if I'm including the less figural sexuality sculptures, where do I draw the line on that? Going from past to present, there is a logical inclusion of sex toys as art (some of the ancient eastern dildos are works of beauty). Does that mean I'd consider an image of a beautiful modern high-end toy? Maybe. Not sure. But there are a lot of really awesome pieces that are more abstract, and interestingly genderbending (I particularly recall a few penis sculptures with breasts). I didn't include any of the images I had that were vulvas only, without a full figure -- do I want to make the same limitation on my right side, or do I want to clearly also incorporate the concept of the organic flow between sculpture/religious icon/erotic icon/sex toy? How much of this is about the male form in sculpture, and how much is about sexuality? Where do the genderbending pieces fit in? On the 'science spine', how do I want to represent the X chromosome? electron micrograph photos come out pretty cool, and could stylistically work well with my current piece, I think. And in terms of making it clearly the X chromosome (at least in a way that's meaningful to me), we can just be very exact about the banding and centromere location and overall proportions. what other biological pieces are important to me? Can I incorporate one of Grafton's pieces along my spine, or will it be too crowded to do in the detail it needs? I'm tempted to consider an image of the undifferentiated embryological reproductive system at 9 weeks development (like the X chromosome, a nod to my biogeekery, and to the biological underpinnings of a challenge to a strictly dualistic view of biosex and gender).

So. Lots to think about. Lots of research to do. It took about two years of research on imagery for my left side before I was ready to start tattooing, so this is a good general point to start (although it'll be pretty backburner until the move is done!)
Really stimulating session yesterday! Painful as hell (oh, the ribs, and the crease of my belly), but stimulating. And "painful as hell" did come with the incidental opportunity to play around with BDSM-style biofeedback and mental discipline. Not normally my thing (normally I play within the boundary of what my brain and nerves define as pleasant, as rough as it may appear from the outside), but interesting in this context, and handy to know. And although the roughest thing about all-day sessions is that my body just stops being able to pump out the endorphins after about four hours, and which point things get pretty rough, in the meantime, I did certainly get quite a high-floaty-head-spinny endogenous chemical rush for a while. Also, having my travel pillow with me was a godsend for all the extended-time-period awkward positions. I'm also really careful about staying hydrated and well-fed during long sessions, and that makes a big difference, and allowed me not to completely collapse in exhaustion and drop by the end (which I couldn't do, because there was four and half more hours of traveling before I was back in Albany).

I'm linking to the various sets of pics of the work at various points of progress:

The original reference images for, uh, reference

The original underpainting/sketch, also somewhat faded by time (although it was never dark).

The last session, arm basically complete, barring a few possible future final details

Some quick webcam pics (thanks, Caleb!) of the most recent work. Upper back is as complete as arm now, and lower back/hip is ready for next session, then moving down my leg (Edit: Just added a few wider angle shots -- ignore the tape goo stripes on my butt)

We've got a lot of ideas about where we're going next; my thigh will have some assortment of the more vertical pieces (Gaston LaChaise' Standing Woman, the Indian sculpture, the tall, slender piece by the modern Chinese sculptor, maybe the Venus of Lespugue), with various smaller background floating figures (the profile of the african piece, maybe the solid little sitting woman, the pre-dynastic kneeling Egyptian piece, maybe the Indian medallion piece and the more faded sheila-na-gig on the cornice). How exactly it comes together will be a bit of a mystery until it does. I still very much want to fit in the Inuit piece in a prominent location; I really love her, and she's particularly meaningful to me, and I'd love to figure a way to include the two caressing women by the modern Welsh sculptor. I won't be entirely shocked if I end up continuing the piece all the way down my leg. We're starting to shift colors as we move down; we may also go back over some of the arm/upper back to add some more reds to the ribbon, and it's possible we'll do some light washes of color over the negative-space pieces (there was originally some very light purple in the arm pieces, although it's almost entirely faded now). In the pics there are several very red areas where what's actually there is a very light grey wash; you won't be able to see it properly 'til it heals. Other red areas are actual red ink. It's a bit confusing. I'm not entirely sure which is which in a few spots myself. Oh, the itching I'm in for...

Also, we may just completely cover over my 1st tattoo (which was my Ball Python Pookie's pattern, from spine out to belly, around the little yin-yang that's over a birthmark, but all the browns and yellows have faded out almost completely (it's 17 years old). If not, I'll have him recolor it to mesh with the current piece. And since I really need to recolor the wu-fu backpiece (dark browns and reds, and the brown inks then really didn't have a long lifespan; I knew going in I'd need them retouched more often -- happily, Chris says there's been advances in that area), I may have him do it whenever we reach and arrange our final session -- find some tones that work for that piece, and also mesh with the major piece. while I'm at it, I should get my other smaller pieces touched up, too.

Also, I'm still really set on getting that other piece I've been thinking about: an anatomical drawing of the full structure of the clitoris (it's referential to both sexuality and biogeekery, which is an important intersection for me), probably on my right shoulder (funny note -- I only really look tattooed from one perspective. Viewing me from the right, if I'm standing just right you can't see any of them at all.) The thing is, I think that's the right location for it, but it also puts a relatively large piece of prime skin real estate out of commission for a relatively limited piece. So I'm pondering what to do about that. Back of my neck? Maybe. I haven't decided yet exactly which structures to include; a more abstract piece that's solely the glans and crux clitori? Sadly, I don't think there's a good way to include a diagramatic representation of the paraurethrals (a g-spot reference I'd like) without going full-on medical textbook with it. Ideas welcome from my health and sex geek friends!


Oh dear... I'm seriously tempted to do my entire other sleeve/back/thigh in male/intergendered and sexuality figures in a similar pattern, with different colors for the background and ribbon. The research I did on this piece certainly turned up a huge number I really love and connect with, that just weren't right for this theme (the female form). If I do that, I'd definitely move the structural image of the clitoris up to the back of my neck, though. I think I'd also have room to put something interesting and narrow and thematically related down my spine from there, connecting the two sides. I've pretty thoroughly abandoned my one-upon-a-time plans for my right hip and leg, so that's free space again. And the idea of that balance really appeals to me, given my views on gender and my own, in particular... If I do that, the narrow space tattoo might start with the clitoris at the top, and also incorporate a drawing of the X chromosome, since it's the sex chromosome that every human shares (it's not possible to develop completely as a fetus as YO, so the only possible combinations are XX, XY, XO, XXX, XXY, XYY, etc). Not sure yet how exactly I'd make it clear that it was that specific chromosome without actually just marking it "23", though. That's a reference to my interest in genetics, and also a nod to my perceptions of gender variety, although by no means accounting for the sum total that exist in the world (in fact, most of the genetic variations above don't affect phenotypic sex all that much). I like it as a connection between the two pieces, though, if I do that.
In Portland, taking a break while Chris gets set up to start! This is an especially exciting session; we're adding new figures for the first time in 15 years! (The piece was on hold for about a decade because life kept happening)

Can't wait!

The conversation we just had about which pieces, where, and how reminds me of why I love working with him. I bring him this crazy muddle of ideas, he figures out how to actually make it work, which is no small feat with this array of different sculptural styles and shapes.

Harrumph.

Jun. 19th, 2009 09:10 am
I'm not liking what I'm seeing on the national weather forecasts. Really not. Especially since I'm supposed to be flying to Albany tonight, and then heading up to Maine for my tattoo appt. Here's hoping my flight actually leaves, and does so relatively close to on-time.
I didn't end up going to the Preterm event on Friday; I was just too wiped out, and K was going to be running late anyway, so we made alternate plans. Since I'd already donated for the ticket, I don't feel too bad about not making it in person, and I desperately needed the sleep.

Saturday morning was good; lots of antis did show up down the street at the other clinic, but at the one I was working, it was a pretty typical morning, without much comment about Dr. Tiller's murder, so that was good, at least for my blood pressure. And I did get to see K for a while when she stopped by to visit her ex-coworkers, and that was lovely.

Saturday afternoon became a party at my place, and was lots of very relaxed fun, although I was in an obsessive mood, so I packed through a good chunk of it. Got lots more packing done over the weekend; I'm getting close to the point where I shouldn't pack any more until we're ready to go, or I'm going to be packing necessities/major comfort items. Of course, that doesn't count the basement tackling. Oy. And I've got my plane ticket for my next tattoo session on the 20th of this month -- getting this ahead on the packing helps me stress less about being gone while in the midst of the move process.

Sunday was more packing, and some panicking because we couldn't locate Spike (one of the three newbie cats in the house). After hunting every nook and cranny all day, and contacting Rachel to let her know, he finally popped up, all friendly and talkative. *eyeroll*

The new cats are doing well with the adjustments, though. Riley was fine from day one, basically. Lucy's been getting more and more gutsy, and isn't having trouble getting around the house, nor is she shy about demanding affection regularly. Spike was my last major concern, and it's obvious from the behavior we saw last night that he's doing fine, not having trouble getting to the cat food and water, and not too spooked even when the big dog gets over-excited. All very good news.

Nothing major on the schedule this week. I'm looking forward to some calm, and maybe a bit more sleep, if I can stop obsessively packing (seriously -- I wake up in the middle of the night with my usual insomnia, and spend the next two hours mired in sorting and packing jobs).
I hadn't known about this until a coworker mentioned it; I was just assuming I was going to be deferred for a few years while we finished this piece. New policy is that no deferral applies when tattoos are applied by professional tattoo artists in states that regulate tattooing. I'm all psyched about this!

http://www.redcross.org/en/eligibility#tat

Tattoo
Wait 12 months after a tattoo if the tattoo was applied in a state that does not regulate tattoo facilities. This requirement is related to concerns about hepatitis. Learn more about hepatitis and blood donation.

Acceptable if the tattoo was applied by a state-regulated entity using sterile needles and ink that is not reused. There are 32 states that currently regulate tattoo facilities. You should discuss your particular situation with the health historian at the time of donation.

Similar policy on new piercing:

http://www.redcross.org/en/eligibility#pie

Piercing (ears, body), Electrolysis
Acceptable as long as the instruments used were sterile or single-use equipment.

Wait 12 months if there is any question whether or not the instruments used were sterile and free of blood contamination. This requirement is related to concerns about hepatitis.


Maybe if we're _real_ lucky they'll finally get sane about their MSM donation policy too. Well, at least this is some progress.

Just wanted folks to know in case, like me, you weren't bothering to go in on the assumption you'd be deferred for recent bodyart.
Fat: What No One Is Telling You

I couldn't remember where I'd originally gotten the rec for this, so I went into it with a good deal of trepidation. I'm intensely political in a bunch of complicated ways about fat, and I was prepared to spend a lot of time yelling at the TV. I was really pleasantly surprised, and overall I recommend it. Also, shout-out to [livejournal.com profile] cassidyrose, who I recognized in the awesome section on the Health at Every Size movement!

It's a hard documentary to watch. I think I'm about as at peace with my weight as I can possibly be in this society. It doesn't mean it's been effortless to reach that point. I still have to flick off the tendrils of fatphobia that are so omnipresent in our society, and I have the occasional bad day, but all in all I love my body, I'm comfortable with it, and I direct my anger at societal bullshit, not at myself, and work to consciously unravel what gets so unconsciously planted. It's a science geek thing for me -- there's a lot of bad and compromised research about fat, and a lot of fatphobia disguised in thin veneer of "oh, but we're only worried about your health dear". It's a political thing for me -- I refuse to be distracted from the big issues in life by putting all my energies into a battle with my own body, which should be my greatest ally in life. It's a feminist thing for me -- I get so angry at all the self-hatred, the insecurities, the disempowerment and suffering that our collective fatphobia feeds. I could go on... Being happy and comfortable in my body doesn't mean not dealing with my weight, it just means constructing my ways of dealing with it in positive and constructive ways, about learning more ways to push off the negative crap, to communicate with people about fat issues, to find the doctors I'm willing to work with, the partners who love my body like I do. And at 250 or so, which is where my body normally rests, I feel "right" to myself. I don't feel like a skinny person trapped in a fat body. I feel like a fat person, and there's plenty I like about that (softness, strength, resiliency, taking up space, the sheer physics of leverage, etc). I don't think every person should be fat. I don't think every person should be skinny. I don't think I'm anything resembling the peak of health, but I attribute that to smoking and being relatively sedentary, not to the size of my belly. I don't know that I'd be entirely physically comfortable at _any_ weight (when meds have shot it above what feels normal to me, I do notice that, and it's not something that feels physically ideal to me, but it's not something that makes me hate myself, either), and I don't think everyone has to have the same approach to their own weight and relationship with their bodies, but I want us to have honest, complex conversations about it. If you've got family or friends who could use a bit more of a clue, there are worse ways to start that with having them watch this.

The documentary is hard to watch because so much of the self-hating that can accompany all the messages we get about being fat is really obvious in the pain of many of the people they focused on. Hearing someone say they'll never be loved until they're not fat... I know how deeply untrue that is, and it just hurts to see the unnecessary pain caused by believing it. Similarly, the wide acceptance that fat is necessarily unhealthy (research on that is a lot more complex than is normally acknowledged) leads to people being obsessed with losing weight rather than just getting fit, and it's so sad to see that struggle so clearly in several of the people in the doc. It was a pretty well-nuanced approach, though, and gave good voice to the scientific complexities of the various reasons for obesity, as well as the varying ways that different people handle the social pressures and experiences of being fat. I was thrilled at the acknowledgement of the Health at Every Size movement, and I thought they did a really good job discussing the complexities of bariatric surgeries in their section on that, too. There were times when I think it still was a bit too unquestioning about framing obesity itself as "the problem", but all in all, a really impressive job. Go, PBS! Public funding for sanity!

Ways I'm political about being fat:
1. Being a nudist. Yeah, partially I just hate clothes. But I also know that modeling body comfort is valuable. I've certainly heard that feedback from a number of people who've known me over the years, and there's very little that warms my heart more than hearing someone say "seeing you be comfortable in your body gave me the feeling I could be comfortable in mine". I don't hide my body, I don't act ashamed of it. There have certainly been points where there was some "fake it 'til ya make it" about that, and continuing to take this approach to my body even when I'm feeling self-conscious is a helpful active rejection of all the bullshit floating in the air. It strengthens my own comfort level.

2. Talking openly about being fat. I won't lie about my weight. I won't pretend I want to be skinny, or feed the constant office diet chatter and the like. I won't ever talk about how I'm "bad" because of what I ate, and I won't feed the inherent moralism in that in conversations with others. I acknowledge my own size in the same matter-of-fact way I'd acknowledge any other feature of myself. It's fascinating how much that shocks people. I talk about fat issues when the opportunity comes up. I acknowledge the difficulties that crop up in day-to-day life around fat (finding good doctors, decent clothes, etc). When I place personal ads and the like, I don't beat around the bush about my weight, and I make it clear that if you don't want to be with a fat woman, you shouldn't be with me. I can't say I feel the loss of those who pass up the opportunity, and it means I come into things already feeling comfortable about their presumed acceptance of my particular size and shape. Conversely, I also refuse to participate in negativity toward slender and skinny women. Turnabout isn't fair play, and no one deserves that crap. I'm really not a fan of the phrase "real women have curves". Fuck that noise. There are wonderful things about all varieties of bodies. My personal tastes are all over the map, and I've seen and experienced a lot of beauty in all shapes and sizes.

3. Patient-Instructing. When I teach, I'm utterly matter-of-fact about my weight, and I talk explicitly about tips and tricks for doing exams on fat bodies. I talk about body variety as a neutral subject, about how getting good in medicine is about learning the basics and then learning all the little quirks, handy tricks, etc, for dealing with the infinite variety of the human body. I put body size in the same category as an anteverted vs retroverted uterus, or the distribution in glandular breast tissue among different women. I reference the role that doctors have in body image, and although it's not the place to get deep into that, I do try to get them to think about their role in that regard. These are our future doctors and nurse practitioners, and I really hope the experience with me helps them be more appropriate and skilled with fat patients almost as much as I hope it leads them to be more appropriate and skilled in general gyn care.

4. Speaking up about institutionalized fat-phobia. When I encounter crap that pisses me off, I rant about it. I write here, or talk to people about it, or take on trying to get it changed.

5. Celebrating a wide variety of bodies. Anyone who's been in my house knows that I decorate largely in nudes. Those nudes cover the entire spectrum, with an especial fondness for representations of fat women. I'm in the process of covering a large chunk of my available skin space with a similar celebration of the female form, in all its variety, and just having the tattoo is an opening to many excellent conversations about body image when it would likely not come up otherwise (with strangers on the bus, etc).

6. I absolutely and entirely refuse to feed the diet industry, either directly or through magazines that want to do nothing but tell me how it's "in" to obsess this year, how I can "lose that last ten pounds", etc.

I'm ridiculously lucky in a wide assortment of ways. I've watched families actively nurture their childrens' eating disorders. I never had to struggle against that. I owe a lot to my parents in that regard, and especially to my Mom's staunch clarity that me being fat doesn't make me a bit less valuable as a person (although we still have some disagreements on some of the science issues, I'm ok with that, and we have ongoing conversations about it).

Somewhere along the way I learned to actively find positive fat archetypes, to create an interior mental universe that does include space for my body shape as a positive thing. Academic feminism had a lot to do with that. My "fertility figures" tattoo is very much about writing that lesson on my body. And I'm lucky that where my sense of my own physicality/gender/personality goes is toward a desire to be big and strong. Cis-bodied? Whatever you want to call it, it certainly makes it an easier path for me than for someone whose body is really at variance with their mental image of themselves in some way or another. Sure, my idealized body might be bigger and stronger (Standing Woman is a good image of that), but I'm not on the opposite end of the spectrum from that or anything. I briefly wanted to be little and willowy in high school, until I actually thought about how deeply that would change my physical interactions with the world, and decided I was much happier over here in "fat and solid" land. My fibro fucks with my body image a hell of a lot more than my belly does. To the extent that I have a "totemic animal" of sorts, it's most definitely the bear, both as an image of power and beauty that's nothing resembling skinny, and as a sense of connection to the Bear community, where I see a lot of my views and politics lived out.

And being bi, and being personally attracted to fat men and fat women makes it easier, too. When I know what I see and love in their bodies, it's easier (although not always _as_ easy) to recognize those things in myself, too. And I owe a lot to my social circle, all y'all out there that aren't feeding this bullshit, that provide positive images of fat in your own lives, or simply don't feed fatphobia around you. [livejournal.com profile] cassidyrose and [livejournal.com profile] cupcakecomplex jump immediately to mind as being especially inspirational, but if I were to just start naming names, it'd be a hell of a long list, and that's a fabulous thing.

OK, time to end the post, since the dogs are getting insistent about going out back.
Previous bodyart posts, for context

I still need to talk this over with Chris; I'll probably email him a link to this post, actually. The images as scanned aren't great quality, but I wanted a way to see them all in about the same size, and they give you a general idea, at least. There's a set of three where I've roughly cut and pasted the head of one piece on the body of the other, and included the two complete source images, to give a general idea of where I'm going, and there are several pieces at the end that are very much in the "maybe" category.

Source Images

general data on the figures, not in same order as slideshow, unfortunately -- ask if you have questions )

I'd be curious to hear people's perspectives on using work by living artists, and what level of permission I should ethically gain before using images of their pieces in my personal tattoo work. Also, opinions in general welcome; it's really unlikely I'll be able to work in every piece, for stylistic and space reasons (although we have a lot of skin to work with; from my midback down over my butt and around my thigh). Making that more difficult, a large part of what I'm celebrating is variety across times and cultures, which means not picking all the pieces that are most stylistically similar to each other. I've stuck with sculpture to give some commonality to the pieces, but it's only thanks to what Chris can do that we can manage to make them work in one piece, so his input will have a lot to do with final decisions, too.
This seems like the most accurate analysis of Palin's political approach that I've seen, given what I'm pulling together from various articles and sources. The more I read, the more she reminds me of Bush, honestly.

Election crap in Ohio still happening I'm planning to work Election Protection again this year.

Life's really just fine, but I've been wandering the edges of a depression, and also flaring a bit. Between the two, I'm exceedingly low energy, and just want to sleep all the time. Hence the lack of postiness. Students were good last night, though, which was a nice pick-me-up, and I have a second date tonight, which should be fun. Also, stress at work has decreased substantially. Our little office revolt seems to have paid off; things have been really quite calm and good recently (although busy as ever).

I have, however, been having a good deal of fun working on research for my tattoo. Now that we've gotten so far on what's already on, we're ready to start planning locations and selections for some of the other figures, moving down my side and leg. After lots of research, finding a bunch of fascinating new images, and lots of debate, I've narrowed it down (via spreadsheet, of course *eyeroll*) to my list of relatively final selections (some changes may happen as we try to determine placement). *bounce* Yay! There are a few that aren't online (from my original research), but maybe when I'm home one of these nights I'll post links to those that are. Or get really motivated, and scan everything in.

Other than that, I've been doing obscene amounts of Sudoku and watching the first season of 30 Rock and a lot of old Doctor Who. Not much interesting to discuss. Really shocked at how long it's been since I've read a book (I think close to a month, which is utterly bizarre for someone who usually reads a book every few days), but I just haven't had the mental energy, first with everything going crazy-good, and now with the mood slump, combined with all the political articles there are to read at the moment. I am short-attention-span girl at the moment. And I want a nap.
Yay!

(both sets of pics involve some incidental boobage; not entirely worksafe)
Photos of where it was before

How far we got

So happy! We got a lot further than we expected to, and we've got a tentative appt for this coming February. Portland, Maine, where Chris Dingwell is now working (out of Sanctuary Tattoo) is very cute, and the time with [livejournal.com profile] forestfire was excellent. Although we may do a bit of final tweaking to some of the color once this session's healed (I'm particularly thinking about asking him to add some rust and blood-red tones to the ribbon), my arm is basically done, we got one of the figures on my back completed, and a start on the Venus of Laussel that's the main image on my back so far. I'm currently looking through my resource book (collection of all the research I did when we first started more than a decade ago), determining which images we'll go to from here. I know the Venus of Lespugue is going to be the central image on the side of my thigh, but haven't decided about the pieces in-between. Yay, fun decisions!

The inside of my arm has a crazy bruise, because I bruise crazy easily, and eight hours of working the area, holding the skin tight, definitely had effects. As I told Chris, who was shocked and apologetic about it, I'm not worried. The bruise'll fade, the tattoo will stay.

Oh. Random idea for another tattoo I want to write down while I'm thinking about it... A representation of the full structure of the clit (glans, shaft, and crurae, which make an interesting shape) (link not really worksafe, has genital photos). It's something most people would never recognize, but to me it'd be a commentary on sexuality, and geekery, and how long it took the scientific community to understand anything about female sexuality, etc. Possibly on my right shoulder.


Note to self, some handy links off this wikipedia article (I'm also checking around for images I didn't find back then, since there's so much more available online than there used to be.) If you happen to know of interesting sculptural representations of the female form that don't include clothing or props, from any time period, I'd be interested in pointers, too. I'm trying to represent as many regions of the world, and a relatively wide time frame (I've got a few modern pieces that reference the paleolithic that I'll probably include, too). I'm trying to get a wide variety of body shapes, but avoiding hybrid images like owl-goddess figures and such (that example comes to mind because I've got an image of one that's very cool, but wouldn't work with this piece).

Bookmarks I've already noted to look through in more detail for interesting images (a few of the sites are pretty bullshit-laden, but that's not what interests me about them; it's images of the figures themselves):
http://www.sheelanagig.org/ (although most aren't what I'd want, there are a few I really like, and I'm still looking for some better images of some of them)

http://www.beyond-the-pale.org.uk/sheela2.htm

http://www.suppressedhistories.net/articles/eller5.html

http://www.suppressedhistories.net/articles/icons.html

http://orissagov.nic.in/e-magazine/Journal/Journal2/pdf/ohrj-07.pdf

http://www.bookrags.com/wiki/Sheela_na_Gig

http://www.beyond-the-pale.org.uk/zxWhittlesford.htm


For those I haven't explained this piece to, at its core, it's about the fact that the desire to create is such an immensely human trait, that it connects us. That thinking about the human being who carved an image on a cave wall 30,000 years ago that looks like what I see when I look in the mirror gives me a much greater sense of our shared humanity than names or dates ever will. The female form has been represented so much throughout human history, for so many reasons (I actually don't really like describing this as my "fertility figures" tattoo, because I don't think it's accurate or complete in its description of what these figures might've originally meant to the people who created them). Putting this piece on myself is my way of placing myself within that human history of creating this image. Also, it's a big ol' fuck-you to narrow beauty standards.
For the household:
Leaving Cleveland Thurs, 10:15pm
Arriving Albany Fri, 09:10am

Leaving Albany Sun, 11:20am
Arriving Cleveland, 10:30pm

It's a good thing my bus doesn't leave 'til late tonight. I woke up at 3am with fibro issues, and was up 'til 6am before managing to catch about another 1/2 hr of sleep. I'm fried today, still haven't done laundry, still haven't packed, still haven't done final house prep. Thankfully, none of this should really take too long. Might even manage a nap before I leave, but I'll be sleeping on the bus, so it's not a huge deal if I don't.

My tattoo appt is from 11am-7pm on Saturday. *bounce* *bouncebouncebouncebounce*


And randomly, My sexy pundit crush gets a nice write-up
Image links are moderately NSFW; obvious nudity, profile of boobage in a few shots, nothing graphic.

So I just sent the following to my artist:

http://www.flickr.com/photos/moominmuppet/sets/72157604608086425/

Chris, above is the link to the shots we took last night. If you need us to get some in other lighting so you can see colors better, we can do that; we just didn't have better available at the time.

As a reminder; here's what I recall us talking about at the time:

The figure on the outside of my arm and the curled figure on the ball of my shoulder were the only parts we'd declared "done". You'd said the blue was to be an undershading for the dark sandstone colors I wanted in the background, and that the orange ribbon would eventually be darker and more red-orange. We had plans to take this all the way down to my knee eventually, and I'm pretty sure I'm still interested in doing so, although I'd like to mostly finish my arm and upper shoulder before we start down that path, if possible. All of the figures are from representations of sculptures and carvings that I'd found, so we were trying to maintain a rough, carved element to them, and using the ribbon and background to try to pull together so many disparate styles.

I wouldn't have come to you initially, and I wouldn't be coming back now if I weren't immensely impressed with your skill and artistry, so I really want to leave a lot of the artistic decisions to you in how we proceed on this. I'm not sure in what ways your style has evolved over the years, but I'm curious to find out.

--Sarah

Profile

moominmuppet

October 2024

S M T W T F S
  12345
6789101112
13141516171819
202122232425 26
2728293031  

Syndicate

RSS Atom

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated Jun. 15th, 2025 07:17 pm
Powered by Dreamwidth Studios